Tim gets the bit (or byte?) between his teeth and rants about the ’90s and the lost promise of the internet, and a little bit about cheapie TV movie Max Knight: Ultra Spy! Jen just tries to hold on as best she can! Oh yeah, and this is part one because we don’t know how to shut up!
You can easily tell how white your hosts are by their lack of knowledge of UPN (not the only tell, if we’re being honest), which provided a home for black shows and showrunners alike. Or at least it did for a while, before a gradual whitewashing leading up to the network’s merger with the WB. The Hollywood Reporter provides a post-mortem.
[Former senior VP of comedy development at Paramount Pictures Television] Rose Catherine Pinkney believes the decision to merge UPN out of existence came down to ad revenue. “Ultimately, you want the most dollars that you can get for your ads,” she says. Though UPN’s Black-led scripted shows (which by the end of UPN’s run included Eve, All of Us, Everybody Hates Chris) were largely popular with audiences, advertisers were evidently less inclined to pay top dollar to support shows targeting Black viewers. Farquhar, co-creator of Moesha and The Parkers, recalls an advertising person saying, “We’re not interested in ‘downscaled demographics.’ ”
They still make Tamogochis, holy shit.
Can’t get enough of PCMCIA cards? Here’s a helpful explainer!
Popular Mechanics looks back at the V-chip 20 years after it appeared.
Want more 90s TV? Check out our episode on the show M.A.N.T.I.S. with special guest and superfan mugrimm!
