Read a 1992 interview with David Fincher, in which he’s quite candid about “the worst thing that ever happened to me”— that is, the production of Alien³.
See Rondo Hatton in The Brute Man, but let the MST3k crew accompany you through this murky noir.
The Cocoanut Grove fire has been widely covered in media. The Fascinating Horror channel has an excellent recounting of the disaster, in the dispassionate and non-sensationalized style of the best YouTube channels.
This 1979 BBC biography of Errol Flynn offers illuminating interviews with people who knew him, including David Niven, Olivia de Havilland, and his daughter Deirdre.
You can purchase a copy of the Traveller supplement featuring “Vehicle Handbook: Airships of the Imperium” by a certain Tim H. at DriveThruRPG. Intrigued by the endless possibilities of tabletop space travel? Find more resources Tim created for Traveller at his personal website!
Hear the bangin’ soundtrack on YouTube, which includes “Deeper and Deeper” by The Fixx (which you won’t see on the Spotify version of the soundtrack even though “Deeper and Deeper” IS on there. Who knows why).
Having spoken about their most favorite topics from the last one hundred episodes, Tim and Jen scrape the bottom of the barrel for their worst favorites.
Missed part one of our deep dive? Find it here! Wanna see the movie? “Log in” to the “Information Superhighway” and “point” your “browser” to the Internet Archive!
Too young to have purchased the Trainspotting soundtrack on CD? Even if you weren’t, we suggest decompressing from the episode with all 11 minutes of the remastered Born Slippy.
Tim gets the bit (or byte?) between his teeth and rants about the ’90s and the lost promise of the internet, and a little bit about cheapie TV movie Max Knight: Ultra Spy! Jen just tries to hold on as best she can! Oh yeah, and this is part one because we don’t know how to shut up!
You can easily tell how white your hosts are by their lack of knowledge of UPN (not the only tell, if we’re being honest), which provided a home for black shows and showrunners alike. Or at least it did for a while, before a gradual whitewashing leading up to the network’s merger with the WB. The Hollywood Reporter provides a post-mortem.
[Former senior VP of comedy development at Paramount Pictures Television] Rose Catherine Pinkney believes the decision to merge UPN out of existence came down to ad revenue. “Ultimately, you want the most dollars that you can get for your ads,” she says. Though UPN’s Black-led scripted shows (which by the end of UPN’s run included Eve, All of Us, Everybody Hates Chris) were largely popular with audiences, advertisers were evidently less inclined to pay top dollar to support shows targeting Black viewers. Farquhar, co-creator of Moesha and The Parkers, recalls an advertising person saying, “We’re not interested in ‘downscaled demographics.’ ”