The World's Only Podcast™ about bizarre, overlooked, and misbegotten media
Jen and guest Sean Morris revive the Warren Beatty-directed Bulworth just in time for Election Day! Yes, it’s the movie where Warren Beatty raps.
For more Sean, listen to our episode on the unloved Michael J. Fox drama, Bright Lights, Big City!
Jen and guest Paul Jay discuss a true relic of the 70s: the Paul Lynde Halloween Special! [Toccata and Fugue sting; ghoulish scream]
You can watch the whole goddamn thing at the Internet Archive, if you want to see Roz “Pinky Tuscadero” Kelly flirting with Paul Lynde’s chest wig.
Paul also joined us to pick over the weird auteur project, The Wizard of Speed and Time!
Jen and guests Darren and Yfke discuss Paul Verhoeven’s first American film, Flesh + Blood. This being a Verhoeven film, we have no choice but to talk about rape A LOT with this one.
For more Dutch film, listen to our episode on unique horror film The Johnsons!
Jen and Yfke talk to Dutch filmmaker Ate de Jong! de Jong directed the cult classics Highway to Hell and Drop Dead Fred. Here, he discusses the production of Highway to Hell, and shares some wisdom from his long and still ongoing film career.
Jen and Tim discuss a classic and sadly overlooked gem of British horror television, Dead of Night. The series dates from 1972 and thus, emerging as it did during a less enlightened time when it came to archiving, only three of the original seven episodes still exist.
For more British horror, listen to our episode on the controversial 1992 special, Ghostwatch.
Jen is joined by Mike Rosen to discuss Vile Pervert: The Musical. This slice of pure internet was made by Jonathan King, a music impresario and TV presenter turned convicted sex criminal. If you’ve been looking for the perfect mix of mobile phone video, Oscar Wilde, and sheer unfettered egotism, this will have to do. The entire movie is available for free on YouTube, if you’re a masochist or love demented music as much as Mike does.
Our other episodes about the, uh, work of Jonathan King may be heard here and here.
Jen is once again joined by Mike Rosen to suffer through Dan Aykroyd’s sole directorial credit, Nothing But Trouble! We have nothing else to say except that if you Google the Demi Moore picture we allude to, don’t do it at work.
For more Mike, try our episode on The Day the Clown Cried!
Jen invites author, artist, and asshole Mike Rosen on the show to discuss Jerry Lewis’s unfinished Holocaust, um, comedy-drama The Day the Clown Cried. Thanks to Flemish TV and Australo-German filmmaker Eric Friedler, enough footage from the notorious project has surfaced for us to discuss it. Shoutout to Friedler and the Library of Congress curator who were too important to talk to us.
Mike Rosen is the cartoonist responsible for the webcomic Guttersnipe. He also authored the graphic novel Malleus Maleficarum, available from SLG Publishing, and illustrated Misunderstanding Comics.
Jen welcomes filmmaker and burger expert Yfke van Berckelaer to discuss one of about three Dutch horror films, The Johnsons! Yfke provides an excellent survey of the Dutch film industry (it’s not just Paul Verhoeven!) and gives some background on the making of the film, which is a bit of an undiscovered horror classic.
Yfke is a Dutch genre filmmaker who lives in Los Angeles and is obsessed with everything that sparkles and yes, that includes the 80s. She also writes about awesome things for the cult magazine Schokkend Nieuws, and you can follow her burger adventures at www.burgerists.com and @burgerists on Instagram and Twitter.
And when in Los Angeles, be sure to visit Cinefile Video!
Jen welcomes special guest Paul Jay (Twitter: @pauljaycomic) for today’s episode, in which we discuss The Wizard of Speed and Time! We’re a little hard on filmmaker Mike Jittlov, perhaps unfairly— WoSaT producer Richard Kaye allegedly absconded with the film’s completion money, and Jittlov himself considers the project to be only 75% done.
Jittlov started as a math and language major at UCLA back in the 60s, but an animation elective awakened him to his true calling. His breathtaking, award-winning short films led to work at Disney, where he clashed with execs over his desire to be credited for his work. After The Wizard of Speed and Time’s drawn-out production period, Jittlov worked on some major film projects (including Ghost, in which he was responsible for animating the dark spirits that drag Tony Goldwyn to hell). Later, he spent the 90s making the rounds of conventions and screening his only feature for his devoted fans. He still lives in the LA area, and if anyone knows what he’s up to lately, please drop us a line!